I didn't feel like I needed to know more about her character, she was such a fun villainess to watch. Doc Ock is another example, portrayed as a brilliant, but outlandish female scientist with a psychotic passion for villainy. He's a powerful force and a legitimately scary antagonist. Kingpin looks excellent in this film, with his titanic body and small head with an intimidating grimace. Kingpin is a character I don't think was portrayed accurately outside of the comics, just appearing as a generic, heavy-set bald brute, when he's really an enormous, borderline non-human tank. I also appreciate the stylization of certain villains. It's very appealing to watch and it seamlessly matches the comic book theme. I really enjoy the blend of 3D models with traditional 2D movement. Miles and a majority of characters share the same art style. Heck, one of the most hard-hitting, poignant lines is spoken by Spider-Ham, the breakout comedic relief. Even with these different identities, the film slows down to balance their character in a serious nature.
#Spider man webs full
Noir, whose universe takes place in 1930s New York, boasts a dark, shadowy vibe similar to Sin City, Peni Parker has a bubbly anime look, and Spider-Ham is a bouncy, eccentric cartoon character who takes full advantage of his absurd existence to deliver some of the film's best laughs. Notably in this case are Spider-Man Noir, Peni Parker, and Spider-Ham. With the various kinds of Spider-Men and Marvel villains featured in this story, the animators went all out to give them a unique identity. Something Sony Animation always nails is how each character has a pronounced look and movement. I have to say, and no pun-intended: Into the Spider-Verse is a total marvel, all the way down to its stylish and diverse styles of animation to its bold, sophisticated storytelling.